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Ana Mendieta (18 November 1948 – 8 September 1985) was a Cuban-American artist famous for her performance art and “earth-body” sculptural, photographic, and video work.
Much of Mendieta’s work may be considered strongly feminist by some; it is in essence autobiographical. One theme in her early  performance art was violence against the female body. Later Mendieta  focused on a spiritual and physical connection with the land, most  particularly in her Silueta pieces, which typically involved carving her imprint into sand or mud, making body prints or painting her outline or silhouette onto a wall. In 1983 she won the Prix de Rome and took up residence in  Rome, Italy. During the last 2 years of her life she started creating  “objects”, mostly permanent sculptures and drawings, it was her  intention to retain the connection with nature via the vibrations of the  natural elements she continued to use in the works.

(via sexismandthecity: ajustine)

Ana Mendieta (18 November 1948 – 8 September 1985) was a Cuban-American artist famous for her performance art and “earth-body” sculptural, photographic, and video work.

Much of Mendieta’s work may be considered strongly feminist by some; it is in essence autobiographical. One theme in her early performance art was violence against the female body. Later Mendieta focused on a spiritual and physical connection with the land, most particularly in her Silueta pieces, which typically involved carving her imprint into sand or mud, making body prints or painting her outline or silhouette onto a wall. In 1983 she won the Prix de Rome and took up residence in Rome, Italy. During the last 2 years of her life she started creating “objects”, mostly permanent sculptures and drawings, it was her intention to retain the connection with nature via the vibrations of the natural elements she continued to use in the works.

(via sexismandthecity: ajustine)

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